Tommy Orange is part of a generation of writers who are shattering old tropes and stereotypes about Native American literature, experience and identity.
The Book Review’s assessment of “To Kill a Mockingbird” in the issue of July 10, 1960.
One quality unites serial memoirists: Their lingua franca is candor.
Curtis Dawkins in an undated family photo.
The author Laura Ingalls Wilder, at 17.
Patrick J. Deneen
“Flights” is narrated by a nameless female traveler who is not so unlike the author herself. “The narrator is partly me and sometimes something more than me,” Ms. Tokarczuk said.
Nach Waxman and Matt Sartwell, owners of the Kitchen Arts and Letters bookstore on Manhattan’s Upper East Side.
Mark Epstein, whose books explore the intersection of Buddhism and Western psychotherapy, at his home in Manhattan.
“Art doesn’t come from what is around you, but from what is inside of you,” says the French painter and author Françoise Gilot.
“All of my stuff is organic, homegrown, no G.M.O., real lance corporal from the actual corps,” said Maximilian Uriarte outside his home in Burbank, Calif.
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