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Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Liam Craig as the title character, rehearsing for the Hudson Valley Shakespeare Festival adaptation of “Rip Van Winkle.”

A Buoyant ’70s Musical About Black Lives Lands in 2018

A Buoyant ’70s Musical About Black Lives Lands in 2018

Micki Grant, in a rehearsal room at New York City Center, became the first woman to write both the music and lyrics to a Broadway musical with “Don’t Bother Me, I Can’t Cope,” in 1972.

Review: Hope and Restraint at the Tonys. Then Came Robert De Niro.

Review: Hope and Restraint at the Tonys. Then Came Robert De Niro.

Robert De Niro, introducing Bruce Springsteen, used President Trump’s name three times in a short, obscene salvo.

Parkland Survivors Get a Broadway Master Class in Healing

Parkland Survivors Get a Broadway Master Class in Healing

Cameron Kasky, 17, a student at Marjory Stoneman Douglas High School, rehearsing “Spring Awakening” while members of the original Broadway cast watched.

Review: ‘Mean Girls’ Sets the Perils of Being Popular to Song

Review: ‘Mean Girls’ Sets the Perils of Being Popular to Song

Erika Henningsen as Cady Heron in the musical “Mean Girls,” adapted by Tina Fey from her screenplay for the cult-favorite 2004 film.

Review: A Criminally Enjoyable ‘Hangmen’ From Martin McDonagh

Review: A Criminally Enjoyable ‘Hangmen’ From Martin McDonagh

Reece Shearsmith, left, and Johnny Flynn in “Hangmen,” which arrives at the Atlantic Theater Company after a London run.

Joan of Arc, Superstar? Not to the Woman Playing Her

Joan of Arc, Superstar? Not to the Woman Playing Her

Condola Rashad on the set of “Saint Joan” at the Samuel J. Friedman Theater.

Review: A High School Meltdown Heats Up ‘Be More Chill’

Review: A High School Meltdown Heats Up ‘Be More Chill’

Will Roland, left, and George Salazar as friends hungry to be more popular in the musical “Be More Chill.”

Review: Hit Songs to Sin By in a Smashing ‘Moulin Rouge!’

Review: Hit Songs to Sin By in a Smashing ‘Moulin Rouge!’

As Harold Zidler, who runs the Moulin Rouge nightclub, Danny Burstein delivers a master class in pandering seediness.

She’s Photographed Broadway for Years. Now Broadway Is Honoring Her.

She’s Photographed Broadway for Years. Now Broadway Is Honoring Her.

This scene, of Sutton Foster with the ensemble of "Thoroughly Modern Millie" in 2002, marks one of the first times Ms. Krulwich successfully used a digital camera to shoot a Broadway show.

Review: ‘Is God Is’ Reinvents the Good, the Bad and the Ugly

Review: ‘Is God Is’ Reinvents the Good, the Bad and the Ugly

From left, Alfie Fuller, Dame-Jasmine Hughes, Anthony Cason and Caleb Eberhardt in “Is God Is” at Soho Rep.

Joshua Henry Does Whatever It Takes, in ‘Carousel’ and as a Father

Joshua Henry Does Whatever It Takes, in ‘Carousel’ and as a Father

For Joshua Henry, the Tony-nominated star of “Carousel,” playing the flawed Billy Bigelow is an opportunity to expand younger black actors’ notion of what they can hope to do onstage.

When the ‘Mean Girls’ Were Teen Girls

When the ‘Mean Girls’ Were Teen Girls

Ashley Park, Taylor Louderman and Kate Rockwell, now starring in “Mean Girls” on Broadway, in their own high school yearbook photos.

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Tiffany Villarin, left, is pursued by Gregg Mozgala, as a young version of Richard III, in “Teenage Dick,” a Ma-Yi theater production.

Review: Taming ‘The Taming of the Shrew’ Under a Tent

Review: Taming ‘The Taming of the Shrew’ Under a Tent

From left, Liz Wisan, Britney Simpson, Mark Bedard, Nance Williamson and Kurt Rhoads in Shana Cooper's new production of “The Taming of the Shrew” at the Hudson Valley Shakespeare Festival.

Review: Building the Wall (Not That One) in Aristophanes’ ‘The Birds’

Review: Building the Wall (Not That One) in Aristophanes’ ‘The Birds’

A scene from “The Birds,” directed by Nikos Karathanos, at St. Ann’s Warehouse in Brooklyn.


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