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Ralph Fiennes
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Ralph Fiennes

Born: 22 December 1962
Birthplace: Ipswich, UK

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Biography

About Ralph Fiennes

Ralph Fiennes has built a career around characters who hold something back—men whose restraint can suggest authority, vulnerability or real danger. Born in Ipswich on 22 December 1962, the English actor, director and producer trained at RADA after studying painting, then established himself onstage through work with the National Theatre and Royal Shakespeare Company. His early screen roles quickly showed his range. After playing T. E. Lawrence in the television film A Dangerous Man: Lawrence After Arabia, Fiennes made his film debut as Heathcliff in Emily Brontë’s Wuthering Heights. His performance as Amon Göth in Schindler’s List brought an Academy Award nomination and a BAFTA win for supporting actor. He earned a second Academy Award nomination for his leading role as László Almásy in The English Patient. For a generation of moviegoers, however, Fiennes is inseparable from Lord Voldemort. He first appeared as the character in Harry Potter and the Goblet of Fire, bringing a physical, predatory quality to the series’ returning villain. He reprised the role in Harry Potter and the Order of the Phoenix and both parts of Harry Potter and the Deathly Hallows. Across those four Please Rewind movies, his controlled delivery and serpentine movement give Voldemort a menace that does not depend on volume alone. That role is only one corner of a filmography spanning historical drama, thrillers, comedy, animation and literary adaptation. Fiennes has played Charles Dickens in The Invisible Woman, M in the James Bond series, the exuberant Monsieur Gustave in The Grand Budapest Hotel and chef Julian Slowik in The Menu. His voice work includes The Prince of Egypt, Wallace & Gromit: The Curse of the Were-Rabbit and The Lego Batman Movie. Fiennes has also directed films including Coriolanus, The Invisible Woman and The White Crow. Whether playing a monster, a romantic lead, a comic creation or a figure of institutional power, he remains an actor drawn to control—and to the revealing moments when that control begins to crack.
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